Terrence Michael “Fox” Walsh aka Johnny Dole
Terrence Michael “Fox” Walsh was a singer, song writer, musician, entertainer who is best known as the lead vocalist for Sydney based Punk Rock band Johnny Dole & The Scabs from 1977 – 1978.
Terrence Michael Walsh (born: 6th November 1953 – died approximately: 9th August 1987) was born in Liverpool England and migrated to Sydney Australia in early 1962 with his mother Betty, affectionately known as “Vicki”, father John and brothers Raymond and Philip along with their sister Sandra. At first living in migrant hostels and not settling in any one place for quite some time they moved around the country till they took up residence in the Sydney suburb of Marrickville New South Wales.
Coming from a family with a background in entertainment including his grandmother, Elsie Brown who was a vaudevillian style banjo player/entertainer who had won an award for England’s Premier Lady Banjoist. His father was a great dancer, could play piano and harmonica, sing a little and had people in stitches when he stood up and told jokes. Unfortunately his father had passed away from throat cancer so, was unable to encourage his young son. But it was in the genes and bursting to come out. So it was not surprising Terry showed a talent for singing, which was encouraged by his mother. During this time he entered many talent quests with his mother by his side encouraging him to be as good as he could. If he didn’t do too well his mother would say “Don’t worry, it’s just practice, you’re improving so much”.
His brother Phil recalls how Terry got his nick name of Fox: “Yep, it’s basically all I called him my whole life and still do when I talk about him. It came about when he was about 10 or 12. He had a skinny kind of face, not a bad looking kid but kind of long and skinny. We were joking around one day and I said he had a “sneaky” looking face; he looked sneaky like a fox. From that day on, he was Fox”.
In 1968 when the Monkees toured Australia Fox just had to go and see them! Phil recounts: “When we were living in Queensland, The Monkees were touring and we walked miles and miles to try to get to the airport to see them. When we got close enough we could hear the girls screaming. Realising it was too late to see them; we turned around and went home. But we pretended that we were the stars and the girls were screaming for us, so we started running to get away from them”. It seems Fox couldn’t wait to be a star?
By the age of 14, Fox sent away for his first “mail order” guitar from the Melody School of Music. Enlisting the services of guitar teacher Lynton Bridge of Campsie New South Wales and with lots of hard work he was soon playing it like a pro. His brother Phil recalls Fox saying George Harrison said he used to practise until his fingers bled. “Fox came to me one day and showed me his finger tips, they were bright red and had blisters on them, he was very proud”.
One of his greatest influences was the Easybeats, having a similar background as English migrants it was no surprise he was drawn to them and the great songs didn’t hurt either. Of course the Beatles were also a huge influence on him and from the rougher side of the tracks, the Rolling Stones. But, ….. Tiny Tim? ….. he just loved how freaky he was.
Fox had a typical love affair with school life that he would share with many other students over time; he couldn’t wait to get the hell out of there and back home so he could work on his singing and guitar!
By the time he turned 18 he formed his first “professional” band, Screamin’ Bilbo & The Rockin’ Hobbits but only managed to play one gig, although they all got $10.00 and a beer! This was enough to spur him on and he formed Flash Jayne in 1972 which saw him go through his Glam Rock period.
In 1973 he’s now using his middle name and calling himself ‘Mike’ Walsh (surely it can’t hurt using the same name as an Australian celebrity …. can it?). He joined Eddy Halley & The Starliters and with Fox’s influence they changed the name to Eddy Holly and Sirikit. They were a very popular band and at times Fox would be recognised walking in the streets of Sydney, which of course he loved.
Playing venues such as Chequers, the Bondi Lifesaver and the Whiskey A Go Go (William Street, Sydney) which were some of the most popular venues of the time. In fact they were playing the night the Whiskey A Go Go caught fire, luckily no lives were lost but the band did lose all their equipment. They were also the house band at the Stagecoach Tavern in King Street, Sydney. Guitarist Tony Haley: “He was a bit of a mystery and I never knew much of his life away from the band. It changed to Eddy Holly and Sirikit while Mike was with the band. We lasted about a year at the Stagecoach doing six nights a week, 9 till 3”.
Eddy Holly and Sirikit were a 50’s revival band which saw Fox doing Elvis Presley, Buddy Holly, Eddie Cochran and other well-known performer’s songs with many patrons convinced he was miming to records; this was a great compliment to his abilities. His mother, when interviewed on the Channel 9 show A Current Affair in 1978 told interviewer Mike Carlton “He could sing almost as good as Elvis”.
After he left Eddy Holly and Sirikit, he formed the five piece band The Blue Strays in 1974 and later dropping the Blue, “We just thought it sounded better” to become The Strays. It was now late 1975. Guitarist Mark Wong See: “When I first met him he was amiable and good natured but serious about his music. He told me once that he wanted to be famous rather than rich. He was certainly diligent in his approach to rehearsals and gigs. I liked Fox a lot and he was fun to be around”.
He started to leave the Rocker thing of the 50’s behind and began to get a bit tougher in his approach to performing. The Strays were now playing songs by The Troggs, The Kinks and The Loved Ones which were more garage band in style, as Phil puts it “Kind of hard and powerful”. At one memorable gig at Corrimal, the band sprayed the audience with beer that had been shaken up backstage by the roadies. This didn’t go over too well with management and they were not asked to return. Mark Wong See: “Image became increasingly important to him, looking and living the part”.
There was an undercurrent of new music about to burst onto the scene.
The Strays were evolving and slowly started to change their style. Shortly after finding a new drummer bands like the Ramones and The Sex Pistols were on the scene and Fox had finally found what he was looking for. The now 4 piece band had mutated into a Punk Rock band. With this came a new name not only for the band but for Fox as well, Johnny Dole & The Scabs were born early 1977.
Gigs at the legendary Oxford Funhouse in Taylor Square and being asked to leave Chequers after only playing one set were laying the platform for what was to come. Supporting The Saints at Sydney Uni in May 1977 and getting good reviews in RAM and Juke magazines only strengthened the bands popularity. During this time Fox was in his element and had great success with many interviews in the leading newspapers and magazines of the time. This was an area he excelled in, his humour and quick wit giving him many great responses to journalist’s questions.
Taken from the A Current Affair interview:
Mike Carlton: But why is it so vulgar? You know, why is it spitting, why is it throwing….
Johnny Dole: …why does Kamahl get away with wearing a dress?
Mike Carlton: That’s a very good point I suppose, thinking about that, yeah. But why break things up. Why not just get up there and sing a few songs?
Johnny Dole: That’s ‘all’ I do!
Other successes for the band were a recording session with the ABC’s top producer Keith Walker, who was working for Sydney radio station 2JJ at the time. This resulted in 8 songs being recorded. A number of radio interviews on 2JJ and the songs being played on rotation. A film clip produced for one of the band’s songs, Aggro. A three year publishing deal with Penjane Music Publishing and the band was on the cusp of a recording contract.
Unfortunately for Fox and the band, drugs and alcohol began to impair his performances.
Over time the band started to disintegrate, losing their drummer early 1978. A new drummer needed to be recruited so Fox’s brother Phil filled in for one gig while a replacement was sought. This proved to be harder than expected; two drummers would come and go but the band was never the same again. Johnny Dole & The Scabs finally disbanded mid 1978.
Fox and fellow Scabs’ guitarist Peter Mullany, joined forces with Tommy & The Dipsticks to form The Crooked Hearts, which lasted about 12 months playing the odd gig including French’s Darlinghurst. By now his drug and alcohol addiction was becoming more serious.
After a short trip to France Fox then relocated to Manchester England, where he got a job as a Bus Conductor of all things. Peter Mullany and Bob Short (from Filth and The Urban Guerillas fame) met up with him to start up a new version of The Crooked Hearts. Things went from bad to worse and this band didn’t even get to rehearse. Bob Short: “I must admit I was the first to back away from the idea”. When asked of his impressions of Johnny Dole Bob had this to say. “I believe he was a genuine talent with his one failing being his lack of patience. Nothing could come fast enough for him”.
Now desperate to get home Fox returned to Sydney where he started the short lived bands The Shakers, The Fleas and finally Switchblade.
Unfortunately his habit was now so overwhelming he started to lose contact with the very people he needed the most. Peter Mullany: “By now his drug taking was really affecting his health”. Doing the odd one off gig around town he was never again in another full time band and becoming more reclusive. Dejected and unable to pull himself out of the dire straits he found himself in, Fox died alone in a rented room in Darlinghurst where his body was not found for 5 or 6 days after he passed away.
Official reason of death, accidental overdose but his brother Phil puts it in a completely different light “I think he died of a broken heart”.
Once again this hideous disease had taken another life. His mother was understandably devastated by his death. He is buried along with his beloved mother who passed away in 2008, in the Field of Mars Cemetery at North Ryde.
His legacy along with Johnny Dole & The Scabs is overlooked today by mainstream journalists. Without Johnny Dole & The Scabs it could be argued that the explosion of Punk Rock and New Wave music in Sydney may not have been as extensive.
At that time, the only venue opening its doors to Punk Rock was the Oxford Funhouse. With its closure, Johnny Dole & The Scabs were responsible for opening the doors to a new venue for Punk Rock, the Grand Hotel – Broadway, which became ‘the’ place to play. This would see bands such as Rocks, Shock Treatment, Blackrunner, Psycho – Surgeons, Mental As Anything and many, many more find a new home. If these bands hadn’t had the opportunity to play, who knows what would have been?
Terrence Michael “Fox” Walsh and Johnny Dole & The Scabs should be remembered for their contribution to the early days of Punk Rock in the Sydney scene.
Personal note by Greg Morris:
My time in Johnny Dole & The Scabs lasted just under 12 months. I only knew Terry for this short period of time but he touched me in a way I can’t quite explain. During my time with the band he was nothing but a friend to me, all the guys were, we went through a time that was special and unique and that in itself is unique for this business. I had that bond with all of them you get when you’re in a band.
Things didn’t end well when I was “asked” to leave the band and I held a grudge about that for a while, but as they say time heals all wounds and the circumstances of it have long since passed.
I had the pleasure of catching up with Terry late 1981 and he was looking much better than the last time I saw him in 1978. He was with a nice girl and they looked happy together. It was great to catch up and have a chat and he was in good spirits. It was quite a shock to hear of his passing when Peter called to let me know. On that night in 1981 we parted company with a hug and I will always treasure that moment.
He was someone I call a friend and he was a special person, who got caught up in drugs and alcohol and that is never going to be a good thing. I feel for his brother Phil, who had to identify his body days after Terry passed away, as he told me “It was the hardest thing I’ve ever had to do”. I can’t possibly imagine just how hard that would have been.
I’ve had the great luck to have recently been in contact with Phil and some of the information here has been provided by him. There are things he shared with me I would never have known about Terry.
So, thank you Phil, you have given me an insight into Terry’s life I will cherish forever.
RIP Johnny Dole.
Personal note by Phil Walsh:
Everything needs and has a mother and a father, even music genres.
To my mind the Sydney punk scene, which came to an electric start in the late 70’s in Darlinghurst, can rightfully give credit to the fabulous Radio Birdman and Johnny Dole & the Scabs as “the Mum and Dad” of Australian punk rock.
Which was Mum and which was Dad, well, that’s for you to figure out.
Who cares, the baby they delivered was a pulsating, vibrant and exciting throb of new music injected into a disco dominated malaise of contemporary boredom at the time.
Speaking of parents, Johnny Dole and I just happened to share the exact same ones.
I have many memories of watching Johnny on stage, and also playing with him as a bassist and at times a drummer. I recall the almost scary intensity he would have when ramming mic stands through stages, of jumping as hard as he could up and down on sections of the stage with a pure intent to destroy, all in the spirit of rock ‘n’ roll and his newest baby, punk music.
He will never be forgotten for those exploits at the Paris Theatre and the Grand Hotel, without doubt some of the best live gigs I have ever seen or been involved in.
He was born to be a star, from the time he was a very small child it’s all he ever dreamt of, talked about, or wanted to be. Sadly, he never made it to the level he dreamt of.
He was a hard living and at times complex and unpredictable man, these parts of his personality contributed in no small way to an early death, just short of his 34th birthday.
More importantly to me, he was my brother.
He was literally the one who taught me how to tell the time, tie my own shoelaces and well, just be there for me so often.
I miss him with all my heart. I miss the all night conversations we would have about life, reincarnation, life after death and the universe. I miss the impromptu jams we would have at my place on acoustic guitars playing old rockabilly songs.
I miss the man.
If I had the chance to say one thing only to him right now, I’d tell him I love him and I am so proud of what he accomplished as Johnny Dole.
I love you my brother,
All You Need Is Love.
Bands:
Screamin’ Bilbo & The Rockin’ Hobbits (1971)
- Terry Walsh – Lead Vocals
- Phil Walsh – Drums
- Unknown – Guitar
- Unknown – Bass
Flash Jane (1972)
- Terry Walsh – Lead Vocals/Guitar
- Phil Walsh – Drums
- Bob Unknown – Bass
Eddy Halley & The Starliters (1973) & Eddy Holly and Sirikit (1974)
- “Mike” Walsh – Lead Vocals
- Tony Hailey – Guitar/Saxophone
- Dave Hayes – Bass
- Greg Ditlow – Guitar
- Ian Stewart – Guitar
- Steve Willington – Drums
Blue Strays (1975)
- Terry Walsh – Lead Vocals
- Phil Walsh – Drums
- Peter Endersbee – Bass
- Mark Wong See – Guitar
- Mike McMillan – Keyboards
The Strays (1976)
- Terry Walsh – Lead Vocals
- Perry Mullany – Guitar
- Dave Berry – Bass
- Mark Wong See – Guitar
- Greg Morris – Drums
Johnny Dole & The Scabs (1977)
Line-Up One:
- Terry Walsh – Lead Vocals
- Perry Mullany – Guitar
- Dave Berry – Bass
- Greg Morris – Drums
Line-Up Two:
- Terry Walsh – Lead Vocals
- Perry Mullany – Guitar
- Dave Berry – Bass
- Phil Walsh – Drums
Line-Up Three:
- Terry Walsh – Lead Vocals
- Perry Mullany – Guitar
- Dave Berry – Bass
- Mike Couples – Drums
Line-Up Four:
- Terry Walsh – Lead Vocals
- Perry Mullany – Guitar
- Dave Berry – Bass
- Paul Cosgrove – Drums
The Crooked Hearts (1978)
- Terry Walsh – Lead Vocals
- Perry Mullany – Guitar
- John Cowper – Guitar
- Tommy Ebejer – Bass
- Russell McRae – Drums
The Crooked Hearts (1979) England
- Terry Walsh – Lead Vocals
- Perry Mullany – Guitar
- Bob Short – Bass
- Paul Cosgrove – Drums
The Shakers (1979)
- Terry Walsh – Lead Vocals
- Phil Walsh – Bass
- Dave Berry – Guitar
- Bones – Saxophone
- Steve Willington – Drums
The Fleas (1981)
- Terry Walsh – Lead Vocals
- Phil Walsh – Bass
- Unknown – Guitar
- Unknown – Drums
Switchblade (1983)
- Terry Walsh – Lead Vocals/Bass
- Greg Dillinger – Guitar
- Brendan McNamara – Drums
Nice, thanks Mark!!
No, thank you Greg 🙂
They were the genuine article – loved watching them at the Grand and later supporting them at the Paris. Everlovin Man was my absolute favourite cover they did